Entertainment

Josh Duhamel, Audra Mari match in black for first red carpet since wedding

From bridal gown to LBD.

Josh Duhamel, 49, and his new wife, Audra Mari Duhamel, 28, hit the premiere of the actor’s movie “Bandit” on Wednesday in Los Angeles.

The couple made their red carpet debut just 10 days after their North Dakota wedding — and dressed in matching black outfits, they looked perfectly in sync.

Duhamel looked dapper in an all-black suit styled sans tie, while his wife wore a silky, bold-shouldered wrap dress with an asymmetrical hem that showed plenty of leg.

Mari accessorized with a black choker, diamond necklace and Ariana Grande-worthy high ponytail.

Nothing says “newlyweds” like complementary clothing choices.
FilmMagic

The North Dakotans posed together on a carpet covered in $100 bills in honor of the new crime caper — fitting, as they both looked like a hundred bucks.

Josh Duhamel and Audra Mari on the red carpet
The couple posed on a carpet covered in $100 bills.
FilmMagic

The former pageant queen and the “Win a Date with Tad Hamilton” actor started dating in 2018, after the latter split from Black Eyed Pea songstress Fergie, 47, in 2017.

*PREMIUM-EXCLUSIVE* Josh Duhamel and Audra Mari get married in Fargo, North Dakota!

*PREMIUM-EXCLUSIVE* Josh Duhamel and Audra Mari get married in Fargo, North Dakota!

Josh Duhamel and Audra Mari tied the knot in Fargo, North Dakota.

Dsanchez/CPR / BACKGRID

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Josh Duhamel and Audra Mari tied the knot in Fargo, North Dakota.

Instagram/ Audra Mari

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Josh Duhamel and Audra Mari tied the knot in Fargo, North Dakota.

Instagram/ Audra Mari

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Duhamel and the “London Bridge” singer share a son named Axl, and Fergie even congratulated her ex-husband on his engagement.

Mari walked down the aisle wearing a long-sleeved, full-skirted dress by designer Leah Da Gloria that featured beaded floral appliqués and a scarf collar, and later changed into an embellished champagne-colored gown for the reception.

She also wore a duo of dresses by Anne Barge — a feathered frock with a romantic lace bustier bodice, and a one-shouldered floral jacquard gown with a blouson-style sleeve and fitted trumpet skirt.

Duhamel, meanwhile, said “I do” in a tailcoat tuxedo by Ralph Lauren.

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Jean-Luc Godard, King of France’s New Wave, Dies at 91 825670622 173 Franco-Swiss supervisor and also New Wave cornerstone Jean-Luc Godard, that changed globe movie theater with his ground-breaking launching, “Breathless,” as well as never ever quit forging ahead of his imagination, has actually passed away, according to Liberation. He was 91. “There was movie theater prior to Godard as well as movie theater after Godard,” proclaimed Luigi Chiarini, head of state of the Venice Film Festival not long after the launch of “Breathless” in 1960. Not considering that Orson Welles, with “Citizen Kane” 20 years previously, had a new supervisor changed the grammar of filmmaking in such extreme style. The Academy of Motion Picture Arts & & Sciences granted Godard an Honorary Oscar at a 2010 occasion. Godard really did not involve approve; it would certainly have been unusual if he had (he was constantly the radical outsider, as well as Oscar is the supreme icon of the movie facility). At the occasion, numerous AMPAS guvs talked of his impact, with scribe Phil Alden Robinson claiming, “He really did not simply damage the policies, he ran them over with a swiped automobile,” including that, for excellent procedure, Godard backed up the taken auto to make certain the policies were dead. Others mentioned that his use lengthy takes, stars as well as jump-cuts’ asides to the cam all altered the filmmaking vocabulary. He when notoriously mentioned that every movie requires a start, a center and also an end, yet not always because order. Godard guided his cinematographer Raoul Coutard to fire “Breathless” like television reporting with a portable cam, something practically unprecedented at the time. The movie’s kinetic rhythm was even more boosted by Godard’s use dive cuts to thrust the activity along as well as his snappily feeding the stars lines of improvisated discussion throughout capturing. Seemingly a mobster pic concerning a woman (Jean Seberg), a man (Jean-Paul Belmondo) and also a weapon, “Breathless” was additionally a movie of existential concepts. The movie, which was granted the Prix Jean-Vigo as well as the reward for ideal supervisor at Berlin, continues to be Godard’s a lot of easily accessible picture as well as for several his most completed in a profession that extended greater than 50 years, some 30 functions, countless shorts as well as recorded essays. Matured 29 when “Breathless” was launched, Godard went from being an appealing supervisor with numerous brief movies to an over night feeling. Hollywood prepared to invite him with open arms, yet Godard never ever bit; he rejected a chance to guide “Bonnie as well as Clyde,” resistant to endanger his imaginative concepts. He won significant European movie honors consisting of the Golden Berlin Bear for hypnotic science fiction “Alphaville” (1965) as well as the Venice Golden Lion for the truthfully sexual “First Name: Carmen” (1983 ), however Godard never ever obtained an Academy Award election. He was essential of every little thing in Hollywood as well as sometimes distinguished Steven Spielberg, declaring his movies did not have imaginative benefit. His sights caused his befalling with his New Wave contemporaries Francois Truffaut, Eric Rohmer and also Claude Chabrol, whose movies came to be a lot more narrative driven and also audience-friendly as they aged. Birthed in Paris, Godard had a blessed childhood as the child of rich Franco-Swiss moms and dads. His French daddy was a medical professional that possessed his very own center, as well as his mommy was come down from a Swiss financial household. While Godard was researching ethnology at the Sorbonne in the late 1940s, the very first cine-clubs started growing up around the funding. Seeing movies belonged to a spiritual experience for Godard. “We resembled Christians in the catacombs,” he as soon as claimed, describing himself and also contemporaries like Truffaut, Chabrol as well as Jacques Demy. In 1951 Godard turned into one of the very first authors, in addition to Rohmer as well as Jacques Rivette, to compose for Andre Bazin’s Cahiers du Cinema movie publication. He was a strident doubter of post-war French movies, whose supervisors, he really felt, had actually lacked concepts, and also he assisted present the suggestion of an auteur-driven movie theater, saying that particular supervisors ought to be offered the very same factor to consider as top-tier writers. In “The Little Soldier” (1961 ), Godard courageously subjected France’s use torment throughout the Algerian War of self-reliance. The movie was prohibited in France up until January 1963. It was the very first time Godard cast the Danish-born starlet Anna Karina, whom he wed and also ultimately separated. Godard’s track record as one of one of the most significant participants of the French New Wave was sealed in the mid-1960s with a string of seriously well-known as well as preferred movies, several including Karina. His marital relationship to Karina finished in 1964 however he proceeded as a significant globe pressure in movie theater with “Bande a Part” (Band of Outsiders), a go back to the globe of the mobster movie, which he called “Alice in Wonderland fulfills Franz Kafka.” He scored his largest industrial hit with “Contempt,” which starred a splendid Brigitte Bardot as the other half of a frustrated manuscript author (Michel Piccoli). “Deux ou Trois Choses que je sais d’elle” (Two or Three Things I Know About Her) was likewise chock-a-block with monitorings regarding contemporary life. Movies like “My Life to Live,” “Alphaville,” “Pierrot le Fou” and also “Masculine, Feminine” exposed Godard’s skill for mashing-up lowbrow as well as highbrow visual appeals. The peak of this duration was the remarkable and also vicious “Week-End,” in 1968, with vehicles accumulated in a limitless gridlock and also discourse regarding the decrease of Western human being. “La Chinoise” was extremely prescient for the method it forecasted the French pupil troubles of May 1968. Throughout recording Godard wed the photo’s celebrity, Anne Wiazemsky, whom he later on separated. The late 1960s saw Godard resort from mainstream movie theater. For the following couple of years he dealt with a team of left-wing political protestors, creating his very own political movies. Godard came to be progressively reclusive, making movies for his very own entertainment, prior to going back to narrative movie theater with his 1979 initiative “Every Man for Himself.” Throughout the 1980s, “First Name Carmen,” “Hail Mary” and also “Detective” amassed some event focus. At the 2010 AMPAS occasion, documentarian Lynne Littman stated, “Godard risked us to be mischievous, both as grown-ups and also as musicians. He is still being mischievous, as well as I would certainly such as to assume tonight is the very first time we’ve ever before provided an Oscar for it.” Godard’s the majority of enthusiastic job was his multipart video clip job “Histoire(s) du Cinema” (1988-1998), a extremely individual and also nonconforming research study of the principle of movie theater and also exactly how it pertaining to the 20th century. Extra just recently, his movies “In Praise of Love” (2001) and also “Notre musique” (2004) were well gotten at the Cannes Film Festival. His “Film Socialisme” met a much more bemused response when it evaluated in Un Certain Regard at Cannes in 2010; the very speculative job finished with a title card analysis “No Comment,” a declaration shown in Godard’s obvious lack from the celebration. Godard had a substantial profession revival at Cannes in 2004 with “Goodbye to Language,” in which he explored with the 3D layout while supplying what Variety‘s Scott Foundas called “a typically strenuous, lively, mordant discourse on whatever from the state of flicks to the state of the globe.” It won the event’s court reward (shown to Xavier Dolan’s “Mommy”) and also took place to be called finest movie of the year by the National Society of Film Critics. For the last 30 years or even more of his life Godard operated in close partnership with his companion, Swiss filmmaker Anne-Marie Mieville. She endures him.

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